At the ‘Drawing Fashion’ talk with Colin McDowell (a senior Fashion Writer for the Sunday Times) at the Design Museum in London last Friday, Giles Deacon (the British fashion designer responsible for many of New Look’s offerings) wowed his audience w
'I smiled as I watched the interns at Matthew Williamson, sitting awkwardly in their uncomfortable couture, wielding their scissors and trying not to be distracted by the glossy goss they were flicking through. I knew exactly what it was like for t
“I did some dressmaking for a while, making clothes for friends etc, and found there was a market there....We only had 20 styles, and we could only do made to order, there was no mass production. I was working all the time.”
“I did some dressmaking for a while, making clothes for friends etc, and found there was a market there....We only had 20 styles, and we could only do made to order, there was no mass production. I was working all the time.”
At the ‘Drawing Fashion’ talk with Colin McDowell (a senior Fashion Writer for the Sunday Times) at the Design Museum in London last Friday, Giles Deacon (the British fashion designer responsible for many of New Look’s offerings) wowed his audience w
'I smiled as I watched the interns at Matthew Williamson, sitting awkwardly in their uncomfortable couture, wielding their scissors and trying not to be distracted by the glossy goss they were flicking through. I knew exactly what it was like for t
“I did some dressmaking for a while, making clothes for friends etc, and found there was a market there....We only had 20 styles, and we could only do made to order, there was no mass production. I was working all the time.”
“I did some dressmaking for a while, making clothes for friends etc, and found there was a market there....We only had 20 styles, and we could only do made to order, there was no mass production. I was working all the time.”