Visible until November 13, the exhibition named "Décrayonner" opens onto a large room bathed in light, recreating the atmosphere of creative workshops. Middle: 13 mannequins dressed in jackets blanks, dresses(http://www.dressesmallau.co/black-formal-dresses-c104/) or pants made of cotton fabrics, which reads traces of chalk, felt ... so many adjustments indications clothes that reflect the process creation.

These paintings are "pencils couturier, clothes rarely kept drafts by the designers, but I was tied, so I kept thirty," says designer Anne Valerie Hash, who launched his eponymous label in 2001.

Thirteen year career is summarized in 88 rooms where one can see the Anne Valérie Hash style: a mixture of otherwise sober and somewhat ostentatious when man mixes with the woman, wool with tulle, cotton with silk and vanguard with tradition. The composition of the exhibition shows the evolution of the seamstress. It begins with his first collection "Fillemâle" and his pants turned into dress, and ends in 2014 with his collection "Pause".

© DENIS CHARLET / AFP

The latest collection is "the more built, it's like Grid, very graphic and structured so that the first is more spontaneous, more poetic," creative analysis, whose house had the high fashion label from 2007 to 2012. Between these two opposite collections, no timeline, the parts are mixed, high fashion is mixed with ready-to-wear, as these two pieces created for Comptoir des Cotonniers which she became artistic director in 2014 for three seasons.

"Kinds of Reconciliation"

Besides her outfits, we watch his shows, including that of its collection "Confessions," which was to take, to transform, fetish clothing of celebrities (Pete Doherty, ... Léa Seydoux), or clichés Fabrice observed Laroche accompanying the exhibition, including those of Lou Lesage, the muse child of Anne Valerie Hash. Note the absence of windows, "a way to create a proximity between the garment and the public, to dust off the traditions, and insist on the materials ..." said the seamstress.(http://www.dressesmallau.co/yellow-formal-dresses-c172/)

To talk about his exhibition, the designer of 45 years, rejects the term "retrospective". "It's too weird, it's like if I stopped, then that is a first part, I would say it's ... a break," Ms. Hash, who before studying the Chambre Syndicale of Parisian couture, wavered between "the culinary arts and fashion." Parisian dressmaker, who says he was drawn to fashion thanks to the wave of the creators of the 80 as "Yohji Yamamoto", "Jean-Paul Gaultier" or "Like boys," announced in 2014 will be "paused" just before being solicited by Comptoir des Cotonniers. This complete cooperation, she is ready to get back to "come back at the right time with the right recipes."

"Through my collections, one feels in my work a failover, a mess ... And finally, I do not know where my balance," she said. So his next collection, "she thinks there" but "wants to take a step back." She will present "in one, two or five years" and it may be "a line on which you do not expect me ..." says the designer who says on a sign of the exhibition, "have found reconciliation of genres. "

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